Masters Countdown: Who Was Clifford Roberts? (Part Two)

Charles, Clifford, Alpheus, Dorothy, Key, John, and Rebecca Roberts in 1907.

[continued]

In the fall of 1904, when Clifford Roberts was ten, his mother, Rebecca, took the children to live with relatives of hers in California. She was acting on the advice of a doctor in Kansas, who had said that a trip and “a complete change” might improve her still mysterious condition. Not long before, she had written in her diary, “I am going down hill as rapidly as possible and there seems to be nothing to stop it.” They made the journey by train and stayed for seven months, while Charles Roberts tended business interests elsewhere. (He wrote occasionally, sent fifteen dollars for Christmas, and sold most of the family’s furniture—including the dining-room linoleum—while they were gone.) For part of that period, Clifford lived not with his mother, brothers, sister, aunt, and cousins, but with his mother’s parents, whose house was in Lakeside, a train ride away. He made brief visits to his mother by himself every week or two, attended a different school from the other children, and seemed to enjoy, or at any rate not object to, his independence. Before returning to Kansas the following spring, the boys traded their schoolbooks for a checkers set, with which they occupied themselves on the long ride home.

John and Clifford both worked outside their house from early ages. They did odd jobs, raised and sold chickens and dogs, made deliveries for their father, served as clerks in the family’s various stores, milked cows, raised pigs, caddied at local golf courses, and sold onions. They helped with the harvest when their father was farming. They worked to pay for their own schoolbooks and clothes. They sold calling cards and the Saturday Evening Post, played baseball for a share of the gate receipts, and, as they got older, accompanied their father on business expeditions. They inherited his entrepreneurial drive. One day, the brothers caught another boy selling trout from a line they had set in a stream. Instead of starting a fight—something they usually did when opportunities arose—they sold him the line and invested the proceeds in a new one. Shortly after the family moved from Kansas to Oklahoma, in 1906, Rebecca noted that Clifford, now twelve, was “using his Spanish selling goods to Mexicans working on R. R.” By then, Clifford was spending long periods working at real jobs for adult wages. He and his older brother both quit school before the end of ninth grade.

1906 Letter from Charles told us he had traded for store and was busy invoicing. . . .Clifford has 10 names for calling cards & magazine—will get 3 premiums. . . .Clifford not able to go to school in afternoon—so sorry for they had a geography test. . . .I made the best bread ever. . . . I was in bed all day—very dizzy & sick—but not so bad as when Charles was at home. . . . Could not get a man to clean carpets—so Clifford undertook the task—a hard one—but he stuck to it until they were clean & nice. . . . Clifford shot his first duck. Proud. . . . . Boys met traveling circus wagons & worked for tickets. Took twins—thought it fine. Right next to our block. . . ..Gave children worm medicine. . . . John & Clifford went to see a boy fire off a “Japanese mine” firecracker. It shot into John’s face—burning off eyebrows & lashes. . . . . Disappointed by new minister’s use of slang in pulpit. . . . We have hopes of John being cured—he is so young—but it is very uncertain.

Clifford grew up fast. He got into fistfights, stole rides on freight trains, chewed gum at school, smoked, entertained poorly-behaved friends at home while his mother was away, prompted one of his teachers to strike him, and shot pool—“such troubles as all boys make,” according to Rebecca, who smiled at the shenanigans of all her children and was a gentle disciplinarian. In 1909, she wrote, without apparent alarm, “All schools having a war with rubber shooters & paper wads. Clifford sent home. Charles went back with him—may have special tutor.” When the boys got into trouble, she seldom sided with their accusers—noting, for example, that Clifford’s teacher had returned only thirty of sixty marbles she had confiscated.

Despite occasional forays into juvenile delinquency, Clifford was the member of the Roberts family who on Sunday mornings was the most likely to be found in church. “Clifford went alone to Sunday School,” is a typical diary entry—this one from when he was seven. He won Sunday-school prizes, went to Christian Endearment picnics, often followed Sunday school with a regular service at a different church, and escorted younger siblings to Sunday school on days when no one else was going. Shortly after the family moved to Oklahoma, he took his little sister, Dorothy, to a Baptist church—a novelty for both of them—then later went with his father and older brother to watch a group of recent converts being baptized in a lake. “Clifford went to Catholic Mass with Carl Lully,” Rebecca wrote in 1908, when Clifford was fourteen and the family was living in Emporia, Kansas. “First time he had seen their service & quite impressed.” His steady church attendance won him special privileges, including an invitation to a fancy social at the home of his Sunday school teacher. “A four course luncheon served,” his mother wrote. “Everything of finest—finger bowl passed by maid. Brick ice cream, deviled eggs, angel food, candy, nuts, etc., etc.”

In their free time, Clifford and various siblings went with their father to see a baseball game “between fat & lean men,” saw a tent production of Uncle Tom’s Cabin, saw pictures of Teddy Roosevelt’s inauguration at a movie theater in California, and took part in an Epworth League temperance program. Clifford didn’t mind performing before a crowd. At a patent-medicine show in 1903, he “helped with a spiritualistic exhibition.” In 1907, the family went two evenings in a row to see a show put on by a “hypnotist & mind reader” named Dr. Glick. Clifford, alone among his family members, volunteered to be a subject and, according to the diary, “did funny things—picking strawberries from floor—peddling them—motioning a man across a tight wire, etc.” On the third evening, Clifford went back alone and volunteered again.

Clifford appears to have had no trouble making friends. The diary mentions many playmates and overnight guests—including more than a few whom his mother considered “bad boys” or “roughs.” Clifford enjoyed and was good at marbles, football, basketball, and baseball, and he and his older brother were always arranging games of one kind or another. Clifford’s popularity may have been eased by the fact that he was strong and good-looking—although he was considered less handsome than John. His sharply arched eyebrows, which would contribute to a perennial look of alarm in his sixties and seventies, made him seem playful and mischievous when he was young. He parted his hair in the middle and had a strong taste for nice clothes. When he earned extra money, he often spent it on a tie, a shirt, or a suit. (“John & Clifford went shopping for Spats, sweater, cap & cruet tray,” Rebecca wrote in 1909.) In eighth grade, he attended a school May Day celebration wearing a “silk hat & Knickerbockers,” and in more than one family photograph he has the only pocket handkerchief. He began to meet girls. “Clifford went to dance—to look on—but he danced.”

Maintaining friendships was hard, however. The children changed schools and neighborhoods constantly, and they seldom finished a year with the same companions they had begun it with. Many of the family’s many moves were not only sudden—“Charles wrote for us to pack up & we commenced”—but also complete: Charles sometimes sold or auctioned much of their furniture rather than take it with them. All the moves were stressful, some more than others. (“Three moves is worse than a fire,” was a nineteenth-century American proverb.) Two days after Charles sold the family’s Emporia house—a showplace that he and Rebecca had scarcely finished fixing up—the new owners, along with their children and a maid, moved in with the Robertses. The two families shared a roof for more than two weeks, then Rebecca and the children went to stay with one of her sisters for another three weeks before setting out by train, at one o’clock in the morning, for yet another new life—this time, in a five-room house on a ten-acre “orange ranch” in Palacios, Texas, a small, dusty town on the Gulf of Mexico between Galveston and Corpus Christi. “Alpheus said, ‘Mama, you look as though you did not know anything,’ and that is just how I feel.”

1909 Had to take one small dose of sleeping medicine—the last. . . .  Am so sorry Dorothy & Key are to be disappointed again in not having a birthday party—but have neither money nor strength. . . . Received $50 interest on $1,000 note in Kansas.  Boys could not have begun high school else. . . .  John & Clifford sold $8.35 of fine figs—quite cheering. . . .  Charles is worn to a sick shadow, nervous dyspepsia wreck. Is uneasy all day & night. Has sued F. M. Elliott for $4,220.00 & we are living as skimped as possible in a land of strangers. . . .  Clifford saved life of a woman (in childbirth) by calling Dr. when her children did not know how. . . .  My hair is nearly all coming out—am so very sorry—for it was my one beauty.

[to be continued]

Masters Countdown: Who Was Clifford Roberts? (Part One)

Charles, Clifford, Alpheus, Dorothy, Key, John, and Rebecca Roberts in 1907, when Clifford was thirteen.

Clifford Roberts was the co-founder, with Bobby Jones, of Augusta National Golf Club, and he was the chairman of both the club and the Masters from their beginning, in the early 1930s, until his death, in 1977. It’s often said that Jones conceived of the club and Roberts financed it, but that’s not the case. Roberts, unlike Jones, grew up poor, and during the club’s early years he was close to broke. But Roberts idolized Jones, and he was determined to help him fulfill his dream of building a golf course in the South that could host a U. S. Open. That the club and the Masters survived the Great Depression and the Second World War is a tribute mainly to Roberts’s determination to keep them going. Time, as Roberts measured it, began the day he met Bobby Jones. But the years leading up to that encounter are in many ways as interesting as the years that followed it. They are the years that shaped the man who shaped Augusta National and the Masters.

Herbert Warren Wind wrote in Sports Illustrated and The New Yorker that Clifford Roberts was born in Chicago. (He wasn’t.) Ross Goodner wrote in Golf World that his real name was Charles D. Clifford Roberts. (Not true, although Goodner was close.) Frank Christian—a photographer and the co-author, with Cal Brown, of Augusta National & The Masters—wrote that Roberts as a child spent time in an orphanage. (He never did.) Charles Price, in A Golf Story, wrote that Roberts graduated from high school. (He didn’t finish ninth grade.) Curt Sampson, in The Masters, wrote that Roberts made $50,000 in 1923 and used the money to buy a one-sixth partnership in an investment firm called the Reynolds Company. (Roberts made $2,441.63 in 1923; Reynolds & Co.—the correct name—didn’t exist until 1931; Roberts went to work there in the mid-thirties; he became the firm’s ninth general partner on May 1, 1941.)

All these errors, and many others, are understandable. Roberts was stingy with biographical detail, and he almost never talked about his early years, even among friends. Jack Stephens, who was the club’s chairman between 1991 and 1998 and was close to Roberts during the last fifteen years of his life, told me, “I just figured Cliff had never been a child.”

Charles DeClifford Roberts, Jr., was born on March 6, 1894, on his mother’s parents’ farm near Morning Sun, a tiny town in southeastern Iowa (current population: 836). He was known as Clifford from the beginning. For his first Christmas, he received “a toy chicken and a half interest in blocks and a monkey riding a goat mounted on wheels,” his mother recorded in her diary. (The other co-owner of the blocks was his brother John, who was sixteen months older.) He was a good eater. For Christmas dinner he had pudding, popovers, grapes, cranberries, baked oysters, and squirrel.

Clifford was the second of five children. His mother, Rebecca Key Roberts, was twenty-five years old and pleasantly attractive. She had a cameo the size of a hen’s egg which she wore at her throat. She was proud of her long brown hair, her clothes, and her skills as a baker. She owned a revolver, and she once fired it at a stray dog—“only scared it”—though she later traded the gun to an acquaintance. She had false teeth. She enjoyed the antics and enthusiasms of her children, and when Clifford, at the age of nine, became captivated by marbles, she sewed extra pockets in his pants so that he could carry more of them around. She was fond of ice cream. Her first diary petered out in 1898, but she started another in 1900—after giving birth to twins, named Robert Key and Dorothy—and kept it faithfully until 1911. “A Katydid jumped on Alpheus’s dress,” she wrote in 1905, when Alpheus, her fourth son and youngest child, was two. “He was so scared & called it a ‘gog.’” The diary makes fascinating reading, especially if you know that in 1913, when Clifford was nineteen and Alpheus was nine, she committed suicide.

1902  Read nearly all day—very blue and discouraged. . . . I left John & Clifford to keep house while I went up town in evening. There had been a fight and shooting on the street. . . . Boys distributed some Rip Van Winkle show bills and so each got a free pass. . . . Tramp here for dinner. . . . Boy here selling needles to keep from begging. . . . Still it rains. Things floating in our cellar. . . . Boys have carpenter fever—new nails and nail apron and making twins a play house. . . . Boys cared for twins, cooked and swept and washed dishes—all in their boyish way. . . . Gone all day & sold only 1 bushel of apples. Brought new milk strainer, shoe polish, steel pens & school sponges. Clifford churned.

Rebecca was a sharp observer and had a sense of humor, and although her entries are telegraphic—“Twins fat and well. Hope they may not be kidnapped as Cudahys was”—they vividly describe what seems to have been a happy life for her children and a troubled life for her. The family had many joyful moments (“Husband & I read late & Clifford & Key ‘had a spell’—they could not quit laughing & playing pranks until the lights were all out. Such merry times at our house”).

But the underlying themes are of dislocation and despair. “I am very miserable—life almost a burden,” she wrote in 1908, in a typical entry. Her husband was often absent, and he moved the family constantly. Rebecca had numerous ailments, among them severe headaches, back pain, “curvature of the spine,” a miscarriage followed by months of hemorrhaging, pleurisy, “nervous chills,” and a persistent melancholy that a modern reader does not hesitate to diagnose as depression. Winter was the hardest, and she often felt overwhelmed by her children. “I am hardly able to be out of bed,” she wrote in 1904, “but must keep going to care for my numerous family.” She took patent medicines—many of which would have contained narcotics along with a great deal of alcohol. (The most popular children’s cough medicine of the period, Mrs. Winslow’s Soothing Syrup, was based on morphine. One night, Rebecca used one of her own medicines to quiet baby Alpheus, who was colicky and had been crying.)

She pursued electrical baths, osteopathy treatments, homeopathy treatments, hot water cures, and other fad therapies administered by a variety of practitioners. On many mornings, she was unable to get out of bed. At such times, she often left the housework and the care of the younger children to Clifford and John, beginning when Clifford was six and John was seven. The boys shouldered the burden cheerfully and with ingenuity. One day when Clifford was ten and his mother and John were late in returning by train from a visit to a doctor in another town, Clifford dressed Dorothy, who was three, in a new red dress, “made her new garters when he could not find her suspenders,” and took her with him to a party to which he had been invited. Rebecca was proud of her children for rising to the occasion, but she was unromantic about child-rearing, and she hired housekeeping help when she could afford it. “Ida Kellogg came to work,” she wrote in 1907, “— measles still showing, has whooping cough & only 10 years old—but willing.”

Ill health was taken for granted. Clifford’s father had gastrointestinal trouble, a rupture, and “heart failure palpitation.” John, with whom Clifford shared a bed, stammered and suffered seizures that various doctors diagnosed as St. Vitus’s dance, “worm spasms”—for which he was treated with “vermifuge tonic”—and (correctly) grand mal epilepsy. Clifford had trouble with his eyes, suffered from “malaria & biliousness,” and endured devastating bouts with poison ivy. Days when everyone was well were rare enough to be noted in the diary. Clifford knew children who died of pneumonia, scarlet fever, small pox, “brain fever,” tonsillitis, typhoid, and tuberculosis. “Boys sent Chinese lilies,” Rebecca noted in 1902, when a seven-year-old classmate of Clifford’s was buried.

Charles DeClifford Roberts, Sr., was a restless small-time entrepreneur who tried his hand and failed at a broad variety of undertakings. “My father always was interested in seeing what was on the other side of the next hill,” Clifford said with understatement many years later. Charles was apt on a whim to trade the family store for a farm in another state—then, after harvesting a single crop of wheat and oats, to trade the farm for a business somewhere else, and then to sell that business and invest the proceeds in another. He bought and sold everything from candles and thread to farm equipment and fur coats. He speculated in real estate and arranged the sale of other people’s property. He once owned two fish-and-oyster houses in Texas. He bought bankrupt businesses and liquidated their stock. He sued hucksters who had cheated him. In 1906, in Oklahoma, he received a large rail shipment consisting of flour and shoes.

The hectic pace of Charles’s wheeling and dealing suggests compulsion as much as enterprise. Few of his deals greatly improved the family’s standard of living, which rose and fell within a narrow band at the lower limits of the respectable. Almost invariably, his first step after acquiring a new store or piece of property was to attempt to trade it for something else. Rebecca—who was never consulted—lamented most of these transactions. As soon as she had decorated a house to her satisfaction, it seemed, he put it up for sale. Charles’s quixotic dealings didn’t bring him happiness, either. He suffered from insomnia and sometimes paced the floor, terrified that his world was coming apart. He died in San Benito, Texas, in 1921, after being struck by a train, and his death may have been a suicide. At the time, he was suffering the effects of a stroke, his second marriage was under considerable stress, and he was supporting himself and what remained of his family with the help of regular checks from Clifford, who was struggling to make his own way in New York.

Charles and Rebecca’s marriage was not desolate. They were often happy together when he was at home. He was loving with the children, gave expensive presents when business was good, wrote poetry in the evenings, and took Rebecca’s illnesses seriously. But he worked long hours and traveled for weeks at a stretch. When the twins were young he had to be reintroduced to them upon returning. (On one occasion, they recognized him only after he had sung a song they knew; on another, they wouldn’t let him hold them until after they had watched him eat breakfast.) He wrote home irregularly. He moved the family so often and on such short notice that a reader must study the diary carefully to detect when the locale has changed. The constant shifting took a heavy toll. At one point, Rebecca wrote, “I can hardly bear to think of the tremendous task of moving—hardly able to live—even quietly.”  Other entries have a sardonic edge: “Charles’s Texas fever is all gone & he is now confident that New Mexico will just suit us.” In later years, Clifford often described his background simply as “Midwestern.” In a letter to Eisenhower, in 1967, he wrote that he envied Ike’s ability to remember “boyhood escapades,” as evidenced by a recent article in the Saturday Evening Post. Much of his own childhood seemed to him a blur, or a blank.

[to be continued]

Fred Astaire, Trick-shot Artist

circa 1938: Fred Astaire (1899 - 1987), the American singer and dancer on the golf course. (Photo by John Miehle/Hulton Archive/Getty Images)

(Photo by John Miehle/Hulton Archive/Getty Images)

Fred Astaire’s proudest achievement in life, he told an interviewer in 1982, was “a 4-wood I hit on the 13th hole at Bel-Air Country Club in June of 1945.” (It landed on the green and rolled into the cup.) His handicap was 10, approximately. He was a worse player than Humphrey Bogart, but a better one than Glenn Ford, who portrayed Ben Hogan in “Follow the Sun,” very possibly the worst movie ever made.

Fred Astaire at the Masters in 1946 or 1947. Anyone recognize the competitor on the right? His badge identifies him as Player 29. (Photo by Augusta National/Getty Images)

Astaire wanted to incorporate golf into a dance routine. “Fooling around at Bel-Air one day,” he recalled, “I did a few impromptu rhythm steps just before hitting one off the tee, and was surprised to find that I could really connect that way.” He demonstrated for the director of the movie he was working on—Carefree, co-starring Ginger Rogers, released in 1938—and they incorporated it into the film.

There’s a widely told story that Astaire did the sequence in one take, and that his shots all landed within a few feet of each other—all untrue. RKO set up a driving range on its lot in Encino three weeks before principal photography began, and Astaire practiced the moves for two weeks. “I had about 300 golf balls and five men shagging them, a piano and Hal Borne to play for me,” he recalled. The final sequence involved many takes over two days, and what you see in the movie was pieced together from the best bits. In the clip below, the golf stuff starts about a minute in. Notice that Astaire wears two golf gloves (with buttons!) throughout.

Bobby Jones And Fred Astaire At The Augusta National Golf Club (Photo by Augusta National/Getty Images)

Same Masters. This golfer I can identify. (Photo by Augusta National/Getty Images)

The Man Who Invented the Yardage Book

Deane Beman won the U.S. Amateur twice and the British Amateur once, and between 1969 and 1973 he won four times on the PGA Tour.

UNITED STATES - SEPTEMBER 13: Golf: US Amateur Open, Closeup of Deane Beman victorious with trophy at Wakonda Club, Des Moines, IA 9/13/1963 (Photo by Lee Balterman/Sports Illustrated/Getty Images) (SetNumber: X17644)

Beman and the trophy for the 1963 U.S. Amateur. Photo by Lee Balterman/Sports Illustrated/Getty Images)

He became the tour’s commissioner in 1974, and he built the Stadium Course at TPC Sawgrass—where the Players Championship, the fifth major, will be held next month, and which you can read about in my column in the current issue of Golf Digest—and he is largely responsible for transforming the tour into a robust modern enterprise. He was also the first player to methodically measure and record key yardages on the golf courses he played, beginning in 1954, when he was still a junior:

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Beman’s homemade yardage guide for the 1954 U. S. Jaycee Junior Tournament, which was held on the golf course of the University of New Mexico.

“I’d pace off the golf course during a practice round, and make notes on a scorecard,” he told me recently. “It was quite unsophisticated, but pretty effective. Doing that was a little more difficult back then, because golf courses had single-row irrigation, so there weren’t as many sprinkler heads as you have today. I used trees and bunkers and things like that. A championship course usually had bunkering in the landing areas, and I could use either the front or the back of a bunker as my mark to the front of the green. And then I’d measure the green.”

Beman's front-nine notes from the 1958 U. S. Open, at Southern Hills. The circled numbers are green depths.

Beman’s front-nine notes from the 1958 U. S. Open, at Southern Hills. The circled numbers are green depths.

“I played a lot of golf with Jack Nicklaus when we were amateurs, and he would laugh when I pulled out my card,” Beman continued. “But then he got married to the idea. The first time Jack copied what I did was at Pebble Beach, for the 1961 U. S. Amateur.” Nicklaus himself said later, “I was playing a practice round with Deane in 1961 and he said, ‘Why don’t you try it one time, just walk off the golf course?'” He did, and blew away Dudley Wysong in the final. “After that,” Beman continued, “I don’t think Jack ever played a round without having the ability to really, really know the length of any shot he was facing.”

Beman's notes from Colonial, in 1960.

Beman’s notes from Colonial, in 1960.

“Now, I will say this,” Beman went on. “I was not a popular guy with caddies, because I required them to go walk the golf course before every round, and pace off every pin position. I had my yardages to the front of the green, and I knew how deep the green was, so I would give my caddie a pad on which I had marked the dimensions. I wanted to know how deep the pin was that day, and he would pace that off. Nobody had any pin sheets in those days—but I did.”

Beman's notes for the 1959 Masters.

Beman’s notes for the 1959 Masters.

Nowadays, tour players and their caddies carry extraordinarily sophisticated yardage books, which contain not just distances but also topographical details, and even lousy golfers can determine the length of just about any shot within a few feet, if they own a laser rangefinder. But players at all levels were skeptical at first, and Beman’s idea didn’t really catch on until the 1970s. Arnold Palmer, among many others, though it was dumb. Ha!

Beman's notes for Pinehurst No. 2.

Beman’s notes for Pinehurst No. 2.

“My notes became much more sophisticated once I turned professional,” Beman said. He saved those scorecards, too — but the ones in the photos above show how it all began.

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Masters Countdown: Great Moments in the History of Slow Play

Ed Furgol, 1957 Masters. (Photo by John G. Zimmerman /Sports Illustrated/Getty Images)

Ed Furgol, 1957 Masters. (Photo by John G. Zimmerman /Sports Illustrated/Getty Images)

Not all that long ago, Masters competitors, playing in twosomes, were expected to finish 18 holes in about three hours, even during the tournament’s final round. After the 1956 Masters, a competitor wrote to Clifford Roberts, the club’s co-founder and chairman, to complain that, after playing the first nine in an hour and a half, he had been told by an official to hurry up. You can read more at this blog’s official home, on the Golf Digest website. And if you “subscribe” to myusualgame.com, by filling in your email address in the blank on the right side of this page, you’ll be notified every time I post something new. And, if you’re willing to wait a month or so, you can find complete versions of all my old posts on this site, too, by paging down until you reach them.

Doug Ford and Clifford Roberts, 1957 Masters. (Photo by Augusta National/Getty Images)

Doug Ford and Clifford Roberts, 1957 Masters. (Photo by Augusta National/Getty Images)

Masters Countdown: Clifford Roberts and the Range Balls

spaldingdot

Clifford Roberts was the co-founder, with Bobby Jones, of Augusta National Golf Club, and he served as its chairman from the club’s founding until his death, in 1977. For many years, the only golf balls Roberts used were Spalding Dots, which had balata covers and were used by many tour pros. The golf shop would order six dozen before each season—all with Roberts’s name printed on them—and he would send his caddie to the shop whenever he needed a new sleeve. The first balls with Surlyn covers were introduced in the mid-nineteen-sixties, and at some point Roberts played a round with a member who was using one of them. “They’re longer than the old balls,” the member said, “and you can’t cut them.”

Augusta National/Getty Images

Augusta National/Getty Images

Roberts told his caddie to go back to the shop and return immediately with one of the club’s two head pros. “These balls I’ve got are no goddamned good,” he said when the pro had hurried over to see what was the matter. Roberts switched to the new balls, and liked them — a change that left the golf shop with six dozen Spalding Dots that had CLIFFORD ROBERTS printed on them. “There was nothing else to do with them,” Bob Kletcke, one of the pros, told me years later, “so I put them in my shag bag.” A short time later, Roberts borrowed Kletcke’s shag balls to practice with. (He always said that using striped range balls made him dizzy.) “Well, I’ll be goddamned,” he said as he teed one up. “These balls have my name on them.” And he loaded them all into his golf bag.

Arnold Palmer And Chairman Clifford Roberts (Photo by Augusta National/Getty Images)

Arnold Palmer And Chairman Clifford Roberts (Photo by Augusta National/Getty Images)

Masters Week Weather: WTF!

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Oh, relax—I didn’t take that photo in Augusta. I took it here in Connecticut, where we just finished the mildest winter since the dinosaurs went extinct. (The nearest muny was closed for all of eight weeks; my home course re-opened earlier than it ever has before.) But then, early Sunday morning, the world looked like this:

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We called off Sunday Morning Group, and I hung around the house and “did chores.” Around lunchtime, though, Addison pointed out, by email, that most of the snow was gone from his yard, so he, Tim D., Mike A., and I met on the first tee at 3:00. It was cold, and the wind was blowing hard, but we had the course to ourselves:

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Here’s what the bulletin-board thing near the clubhouse looked like when we finished, a bit less than three hours later:

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And here’s what we looked like:

This isn't an art shot. The image is crooked because I had to prop the camera on the head of my driver.

This isn’t an art shot. The image is crooked because I had to prop the camera on the head of my driver.

We’ve had several opportunities recently to make our storm gear seem like a good investment. Here’s Barney on Saturday, when we played in rain:

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And, because only three guys showed up on both Friday and Saturday, we invented a new three-man game: three six-hole matches, in each of which one of us played against the better ball of the other two. The bet was two dollars per man per match, with automatic presses. It was fun, and the money came out virtually even, but we won’t be able to try it again for a while, because more snow fell overnight—and it’s still falling right now. I’m doing laundry!

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Masters Countdown: Why Does Augusta National Have Two Head Pros?

Augusta National has two head professionals, Tony Sessa and J.J. Weaver. They started as assistants under the club’s previous co-professionals, Bob Kletcke and David Spencer, and they moved up when Kletcke and Spencer retired. But how did Augusta National end up with two head professionals in the first place?

J.J. Weaver and Christine Wang, who won the girls' 12-13 division of a regional round of the Drive, Chip and Putt in 2013. (Bob Levey/Getty Images)

J.J. Weaver and Christine Wang, who won the girls’ 12-13 division of a regional round of the Drive, Chip and Putt in 2013. (Bob Levey/Getty Images)

The club’s original pro was Ed Dudley, who was Bobby Jones’s first choice for the job. (His second and third choices were Macdonald Smith and Willie MacFarlane.) Jones explained his criteria to Clifford Roberts, the club’s co-founder and chairman, before the two of them approached Dudley: “First of all I want a gentleman. Next, I feel we should select a pro who likes to teach. And, finally, I believe we want someone who is a good player.”

Robert P. Jones (Bobby's father), Jerry Franklin (an important early member), Clifford Roberts, Bobby Jones, and Ed Dudley, the club's first pro, 1931. (Augusta National/Getty Images)

Col. Robert P. Jones (Bobby’s father), Jerry Franklin (an important early member), Clifford Roberts, Bobby Jones, and Ed Dudley, the club’s first pro, 1931, three years before the first Masters. (Augusta National/Getty Images)

A fourth requirement was that the new pro be willing to work without a salary, since there was no money to pay him. Dudley at first had to get by on what he could earn from lessons and his minimally stocked golf shop—a tough proposition, considering how few golfers played the course in the early years.

Augusta National/Getty Images Clifford Roberts and Ed Dudley, 1940s.

Augusta National/Getty Images
Clifford Roberts and Ed Dudley, 1940s.

Beginning in 1934, he supplemented his income with earnings from his souvenir tent at the Masters and from the tournament itself, which he played in fourteen times. He finished in the top ten seven times during the first eight tournaments, and he came close to winning in 1937, when he finished third, behind Byron Nelson and Ralph Guldahl.

Augusta National/Getty Images Dudley's "golf shop" at the 1940 Masters. That's Lloyd Mangrum on the right.

Augusta National/Getty Images
Dudley’s “golf shop” at the 1940 Masters. That’s Lloyd Mangrum on the right.

Dudley retired from Augusta National in 1957 and was succeeded by his assistant, Gene Stout, who had also been his assistant at the Broadmoor, in Colorado Springs, where the two men worked during the summers, when Augusta National was closed.

Augusta National/Getty Images Gene Stout showing off samples of his tournament merchandise at the 1962 Masters.

Augusta National/Getty Images
Gene Stout showing off samples of his tournament merchandise at the 1962 Masters.

Stout was replaced in August, 1966, by his assistant, Robert Kletcke.

Augusta National/Getty Images Bob Kletcke and Arnold Palmer in the ninth fairway, in the 1960s.

Augusta National/Getty Images
Bob Kletcke and Arnold Palmer in the ninth fairway, in the 1960s.

And that same year Kletcke hired David Spencer to serve as his own assistant.

In the spring of 1967, at the end of Kletcke’s first season as the club’s head pro, he and Spencer were called to a meeting with Roberts. They were both nervous, because they figured they must have done something to displease their boss. When they arrived, though, they found Roberts in a good mood, and he told them they had done a good job. He said, furthermore, that he and the other members were tired of getting to know and like the club’s assistant professionals, only to have them move on to other jobs after just a few years. He said that he would like for both Kletcke and Spencer to remain at the club, and that if they continued to do a good job they could stay for as long as they liked.

“But I don’t want Bob eating steak and Dave eating hamburger,” Roberts went on. He said that he had arrived at a solution, which was for the club to have two head professionals, or co-professionals. He had had the club’s general manager draw up a partnership agreement, and he said that if they would sign it the jobs would be theirs. He said he realized that such an arrangement could lead to tensions, and that he did not want the two men to think of themselves as rivals. As a result, he said, if a situation ever arose in which he felt compelled to fire one of them, he would fire them both.

Augusta National/Getty Images Bob Kletcke and David Spencer.

Augusta National/Getty Images
Bob Kletcke and David Spencer.

Kletcke and Spencer were surprised by Roberts’ offer, and they asked if they could take the proposed agreement back to the golf shop to talk it over. On their way past the clubhouse, Spencer said, “Gee, Bob, I don’t know about this.” He had planned to stay at Augusta National for a few years, as was customary for assistants, then seek a head professional’s position at another club, probably in the Midwest.

“I don’t know either,” Kletcke said. “I’m not sure it’s a good idea.” Kletcke had been thinking he would like to try to play on tour. (He later did so briefly, with Roberts’ encouragement and with financial backing from several Augusta members.) Neither man was enthusiastic about sharing a job. They weren’t sure they would be compatible partners, and they weren’t excited by the thought that a misstep by either one of them, in Roberts’ eyes, could put both of them out of work. They talked about the proposal for some time, and came to the conclusion that it didn’t make sense for them. It had been considerate of Roberts to make the offer, but the arrangement was clearly unworkable. The only matter to be decided was which of them would tell Roberts.

“I’ve been here longer,” Kletcke said. “Why don’t you go back and tell him?”

“You know him better than I do,” Spencer said. “I think you ought to go.”

There was a long silence. Each man imagined knocking on Roberts’ door and explaining that neither of them liked his plan. They looked at the ground.

“Maybe we could both go.”

There was another long silence.

At last, Spencer held out his hand and said, “Well, how do you do, partner?” And the two men worked together, at adjacent desks, for the next four decades. If either of them had had the nerve to return to Roberts’ room after their meeting in 1967, both almost certainly would have left Augusta to do something else.

Bob Kletcke and David Spencer. (Augusta National/Getty Images)

Bob Kletcke and David Spencer. (Augusta National/Getty Images)

Masters Countdown: Why did Gene Sarazen Skip the First Masters?

1935Sarazen

Gene Sarazen hit “the shot heard round the world”—his epochal double-eagle on Augusta’s fifteenth hole—in 1935, during the final round of the second Augusta National Invitation Tournament (as the Masters was officially known until 1939). He hadn’t played the year before. Why?

Sarazen swing

Sarazen himself often said, years later, that he skipped the first Masters because the invitation came from Clifford Roberts, the club’s co-founder and chairman, “and what the hell do I want to play in a tournament sponsored by a Wall Street broker?”—as he told me in a telephone interview in 1997. He also said that he threw out the first invitation because it had a Wall Street return address, and he figured it must be some kind of financial promotion.

Funny stories—but they aren’t true. His invitation came not from Roberts but from Alfred Bourne, who was the club’s vice president and principal financial backer, and Sarazen responded in February with a nice letter in which he told Bourne that he was “very glad to accept.” He backed out shortly before the tournament, though, because he realized that he had a conflicting commitment with Joe Kirkwood, an Australian professional and trick-shot expert (who had also been invited).

Sarazen and Kirkwood worked during the winter for the Miami Biltmore Hotel. Kirkwood had once proposed to Sarazen that they travel abroad together, and Sarazen had suggested South America. Kirkwood, unbeknownst to Sarazen, had scheduled their departure for late March, a week before the tournament, and their plans could not be changed. Sarazen, at the time, deeply regretted missing the first Masters. He said that a caddie in Fiji (on a different trip, presumably) told him, “We no hear of Mister Sarazen in Fiji, but we hear of Mister Jones.” He made certain that he would be available for the second Masters—which he won, in a playoff with Craig Wood.

The Masters wasn't officially called the Masters until 1939, but many players, sportswriters, and others used that name (which Jones considered presumptuous) from the beginning.

The Masters wasn’t officially called the Masters until 1939, but many players, sportswriters, and others used that name (which Jones considered presumptuous) from the beginning.

Masters Countdown: How Augusta National Almost Built a Miniature Version of Itself

The National Baseball Hall of Fame and Museum opened in Cooperstown, New York, on June 12, 1939. The Professional Golfers Association responded by creating its own hall and inducting several legendary players, among them Bobby Jones. But the P.G.A.’s hall was merely conceptual: there was neither a building nor a plan for one.

Clifford Roberts, Augusta National’s co-founder and chairman, thought the ideal location for a golf hall of fame would be at the club. The site he favored was an elevated six-acre parcel roughly 250 yards to the east of the tenth green. In a letter to Jones, he wrote that visitors “would have four good views of the course instead of one,” and that “members using the golf course would have a good view of an attractive building.”

The site Roberts favored was in the upper right-hand quadrant of this image. (And, yes, those are building lots. Augusta National tried to sell them, unsuccessfully, for more than twenty years.) You can see the old tenth green at the left, next to the familiar amoeba-shaped bunker.

The site Roberts favored was in the upper right-hand quadrant of this image. (And, yes, those are building lots. Augusta National tried to sell them, unsuccessfully, for more than twenty years.) You can see the old tenth green at the left, next to the familiar amoeba-shaped bunker.

Roberts wanted one wing of his hall of fame to contain “automatic movie machines,” which, for a quarter, would show instructional films by the game’s great teachers. Another wing would serve as both a comprehensive library and a bookstore. Visitors would be able to buy “popular-priced copies” of some of the books in the library, as well as souvenir booklets and postcards depicting the course.

This is an early Augusta National postcard, showing the tenth green in its original location, before it was moved back and to the left. Roberts's preferred site for his golf hall of game was out of the frame to the left.

This is an early Augusta National postcard, showing the tenth green in its original location, before it was moved back and to the left. Roberts’s preferred site for his golf hall of game was out of the frame to the left.

Roberts also wanted to create “a miniature Augusta National course surrounding the Hall of Fame which would be a practical pitch and putt course and could be made a most attractive part of the landscaping scheme.” The holes would be scaled-down replicas of the holes on the big course. He proposed a greens fee of twenty-five cents.

Despite Roberts’s enthusiasm, the idea never came to anything. The two members he had been counting on to pay for the project lost interest in it, and the club didn’t have the money to proceed on its own. And then news from Europe and the Pacific made other concerns more pressing.

Incidentally, the first hall of fame in the United States wasn’t in Cooperstown; it was in the Bronx. It was built in 1900 by New York University, on what’s now the campus of Bronx Community College, and was designed by Stanford White.

Bronx CC library

It was called the Hall of Fame for Great Americans. It was inspired by the Ruhmeshalle, in Munich, which had been built 50 years earlier. The original inductees were John Adams, John James Audubon, Henry Ward Beecher, William Ellery Channing, Henry Clay, Peter Cooper, Jonathan Edwards, Ralph Waldo Emerson, David Farragut, Benjamin Franklin, Robert Fulton, Ulysses S. Grant, Asa Gray, Nathanial Hawthorne, Washington Irving, Thomas Jefferson, Robert E. Lee, Abraham Lincoln, Henry Wadsworth Longfellow, Horace Mann, John Marshal, Samuel F. B. Morse, George Peabody, Joseph Story, Gilbert Stuart, George Washington, Daniel Webster, and Eli Whitney.

Bronx Hall of Fame

It’s still there, and you can still visit it—maybe after playing one of the four swell municipal golf courses in the Bronx: Van Cortlandt, Split Rock, Pelham Bay, and Ferry Point (aka Trump National).