Why Golf Tournaments Last Four Days

Seventy-two-hole golf tournaments at the time of the first Masters, in 1934, were invariably scheduled for three days, with a thirty-six-hole final on Saturday—an accommodation to the nation’s blue laws. It was Bobby Jones who thought of expanding the schedule. “My idea in stringing out the medal play over four days,” he wrote in a letter to Clifford Roberts, the club’s chairman and co-founder, not long before the tournament, “was to give time for special events to be sandwiched in between.” These events included an optional alternate-shot match, an approach-and-putt contest (to be held on the practice putting green), an iron contest (to be held in the old practice area, which can still be seen between the ninth and eighteenth fairways), and a driving contest.

Roberts liked the four-round idea—one of many golf innovations introduced at the Masters—in part because it eliminated what he believed to be a disadvantage for players who were “unable to do their best scoring if forced to play thirty-six holes in one day.” He also liked the fact that the schedule would enable the club to sell four days’ worth of tournament-round tickets instead of just three. (Tournament-round tickets sold for $2.20, including tax; practice round tickets were $1.10; series tickets, good for all week, were $5.50.) Roberts had initially wanted the driving contest and other special events to be scheduled alongside the practice rounds—on Sunday, Monday, Tuesday, and Wednesday—partly because he hoped they would increase practice-round ticket sales, and partly because he thought a long schedule of activities might make the tournament seem more substantial to local hoteliers and merchants, whose support would be needed both that year and in the future.

Incidentally, Roberts loved the special events, and he helped to create many of them. One year, he arranged an exhibition for local children, who were given free practice-round tickets; he scheduled the exhibition late in the afternoon so that it wouldn’t conflict with school. Another year, he devised a competition in which the pros took turns trying to repeat Sarazen’s double-eagle shot from the fifteenth fairway. (None succeeded.) For the 1942 Masters, he wanted to hold a complex “ringer score contest” in which the seven tournament champions would compete against the rest of the field during the four practice rounds. The contest was never held, but not for lack of support from the chairman. (Among other things, he wrote, the competition would “give the newspaper boys something to write about” during the first half of the week.) According to one spectator from that era, “The contests were fun, because the pros were always so relaxed and having such a good time.”

Those early special events were the precursors of the Par 3 Contest—another Roberts innovation. The first was held in 1960 (and won by Sam Snead) after enthusiastic lobbying by Roberts. “I am really rather bullish on the idea of making use of the Par-3 course as a distinctive pre-tournament event,” he had written the year before. “If so, it can be quite a feather in the cap of the Masters Tournament.  I say this because no other club holding a tournament could duplicate what I am proposing we do at Augusta. So far as I know, no other club has a Par-3 layout and, even if they do, I am sure they don’t have anything to compare with ours.” The event has always drawn a huge and enthusiastic crowd. It is also popular with the players and their children—even though no winner of the Par 3 Contest has ever gone on to win the Masters. Yesterday’s event was shortened by rain and lightning. Padraig Harrington and Jonathan Byrd were leading, at 5 under, when it was called.

Masters Countdown: Ninth Hole

Augusta National's ninth green, 1935.

Clifford Roberts, Augusta National’s co-founder and first chairman, liked to say that he made only one contribution to the original design of the course. During the construction of the ninth hole, he persuaded the contractor to create a level landing area in the steeply tilting fairway at the distance he normally drove the ball (about 180 yards). “The engineer was not at all enthusiastic about accommodating me,” Roberts wrote in his book about the club, “but finally agreed to bring back a tractor and do the job.” Roberts later told friends that he had requested the change because he didn’t want any of his matches with Bobby Jones to be decided by his luck at hitting a fairway wood to an elevated green from a downhill, sidehill lie. The current ninth hole was then the eighteenth, and Jones customarily either gave Roberts nine strokes or allowed him to begin their matches with a nine-up edge. Even so, Roberts needed all the help he could get.

(Augusta National doesn’t use the U.S.G.A.’s handicapping method. It has its own simple system, devised by Roberts, which is based on the number of pars a player ordinarily shoots, with a small adjustment for birdies. Essentially, if you make six pars, your handicap is twelve. The Roberts system works well, is easy to compute, and allows daily modification.)

Roberts’s difficulties with the second shot on the ninth hole were shared by most of the club’s other members, who, like him and unlike Jones, weren’t long enough off the tee to come close to the ideal driving area, at the bottom of the hill. And neither Jones nor Alister MacKenzie, who designed the course, was at all disapproving of Roberts’s modification. In consultations among the three, Roberts’s role was to supply the viewpoint of the average golfer, and Jones and MacKenzie both solicited his opinion. Roberts’s landing area is still visible in the ninth fairway, and it still receives plentiful use from members and guests, as well as from occasional Masters competitors.

Hord Hardin, who was the president of the U.S.G.A. from 1968-69 and was Augusta National’s third chairman, between 1980 and 1991, told me a story in 1996, shortly before he died, that I’ve heard in several versions. Augusta National had a few women associate members in the early years. (Most, if not all, were members’ wives—possibly including Roberts’s first wife, Mary Agnes Bishop, whom he married in 1937 and from whom he was divorced not long afterward.) In the clubhouse one day, one of the women told Roberts that she had just made a hole-in-one on the eighth—a 500-plus-yard uphill par 5—and Roberts asked how that was possible. Hardin told me, “She was playing the ninth, and flat missed her tee shot. The ball hit a something off to the right, flopped up in the air, and went in the hole on the eighth green, no more than fifty yards away. When he heard that, Mr. Roberts is supposed to have said, ‘That’s it. No more women members.'” Roberts and Jones’s original plan for the club had included a second course, intended mostly for women, and a large women’s locker room, which was to have been situated in the huge new clubhouse they intended to build as soon as they could afford to tear down the dilapidated old plantation house. The Great Depression forced them to scale back their ambitions, and prevented them from demolishing what today is probably the most recognizable building in golf.

As the photograph above shows, the ninth green’s famous false front, which contributed to Greg Norman’s spectacular final-round collapse in 1996, was originally more pronounced. (Look at the far right-hand edge of the photo.) The ninth hole is also seventy yards longer than it was during the first tournament. The most recent extension was during the summer of 2001, when the Masters tee was moved back thirty yards and a high stone wall was built to seclude it from a service road just beyond it. At the same time, additional trees were planted on the left between the new tee and the members’ tee, to eliminate the possibility of tournament players’ using the first fairway as an alternate driving area, and new pine trees were planted along the right side of the ninth fairway, to tighten the landing zone. Even though the hole today is 460 yards long from the tournament tee, Masters competitors often have as little as a nine-iron or a wedge for their second shot.

Players, fans, and television commentators who claim that Augusta National had no rough until Hootie Johnson added the “second cut,” in 1999, should study the photograph below, which was taken at the 1949 Masters. The rough in the foreground is several times the height of any grass on the course today. And note the greenside bunker configuration. MacKenzie’s original large bunker was later reconfigured and divided into three, and then at some point after 1949 the bunker nearest the tee was removed.

Ninth hole, Augusta National, 1949 Masters.

That’s the end of my hole-by-hole Masters Countdown for this year. I’ll take it up again next spring, beginning with the tenth hole—although I’ll have one or two more things to say about the Masters before this year’s tournament is over.

Masters Countdown: Eighth Hole

Augusta National's eighth green, 1935.

When the eighth green was built, it looked very much the way it does today, with tall, steeply contoured mounds on either side. In 1956, though, Clifford Roberts, the club’s co-founder and chairman, had the mounds removed. “That’s the only time I can really remember Mr. Jones getting mad at Cliff,” Phil Harison, a longtime member, told me in the late 1990s. “But he removed the mounds for a reason. They blocked the view of the spectators at the tournament, and once they were gone the spectators could see a lot better. But Mr. Jones got awfully upset about that. He really did, because without the mounds the hole was much less interesting, and the green didn’t look like any other green on the golf course.”

Augusta National's eighth green in 1956, after the mounds had been removed to improve sight lines for spectators.

Roberts never thought that removing the mounds improved the hole—and, indeed, the new green was dreadful. It was featureless and vaguely hourglass-shaped, and it could be approached without trepidation from almost any angle. But Roberts felt strongly that spectators ought to be able to see. Not long before he died, though, he decided that the sacrifice had been too great and that the mounds should be restored. The change was finally made in 1979, not quite two years after his death. Byron Nelson led the project, along with Joseph S. Finger, an architect who, among other accomplishments, had played golf at Rice University in the thirties on a team that was coached by Jimmy Demaret. In restoring the mounds, Nelson and Finger relied heavily on photographs taken during the thirties and forties. Harison—who had grown up in a house that used to stand just beyond the first green—consulted on the project as well. During the Second World War, when the course was closed, he had often ridden a motor bike over the mounds, and he told me that he retained a sort of physical memory of their shape.

Jones and Roberts used to ask Harison to fill out groups in Augusta National’s main member-member event, the Jamboree, beginning when he was thirteen; he and a partner won the event in 1941, when he was sixteen. He didn’t officially become a member until 1946, when he turned twenty-one, but at that time, he told me, Jones and Roberts kidded him by saying, “Oh, you’ve been a member for years.” Harison attended every Masters, beginning with the first, and was the tournament’s official starter for more than sixty years: it was he who introduced each player on the first tee—everyone from Bobby Jones to Tiger Woods. He died 2008, at the age of 82.

During 2001, the tournament tee on the eighth hole was moved back and to the players’ right—part of a course-wide effort, supervised primarily by Tom Fazio, to lengthen the course and increase the premium on accuracy and controlled shot shape off the tee. The fairway bunker was doubled in size and stretched toward the green. (The old bunker ended roughly at the peninsula of turf near the left center of the new bunker. See the photo below.)

The eighth hole has had a fairway bunker in approximately the same position since the course opened. Changes in its size and in the location of the tournament tee—all of which were made, in part, to keep the bunker in play—provide a good indication of how much tournament players’ driving distance has increased since the early 1930s: the far edge of the bunker today is roughly a hundred yards farther from the tee than it was during the first Masters.

Looking back toward the tee from the eighth green. The hole's single bunker is on the left.

Masters Countdown: Seventh Hole

 

A not especially intelligible drawing of Augusta National's seventh green, from the program for the first Masters, in 1934, when the seventh had no bunkers.

The seventh wasn’t much of a hole in the early days. (The consensus, as described by Clifford Roberts, the club’s co-founder and chairman, was that it was “the only weak hole out of the eighteen.”) Alister MacKenzie, who designed the course, likened it to the eighteenth at St. Andrews, but the resemblance was superficial. Both holes were short, and both had large greens and no bunkers, but in comparison with the venerable and surprisingly difficult closing hole of the Old Course, the seventh at Augusta was a pushover. Many players today would have been able to drive it.

In a letter to MacKenzie in 1933, Roberts wrote, “I think the real criticism . . . is that it lacks character. Ed Dudley [the club’s first professional] made a suggestion which appealed very much to me. He proposed putting a bunker in the middle of the face of the green and letting it wedge into the green. In other words, his thought is to partly develop this green into two sections, the same as is true of one of the greens at Lakeside, California. Bob [Bobby Jones] did not have very much to say about this proposal, but I do not think he was much impressed by it. I think, in truth, that Bob is really hesitant about making any alterations or incidental refinements till you can come here and see the layout.”

Perry Maxwell

Nothing significant happened until 1938, when Horton Smith—who had won the first and third tournaments—suggested elevating the green and fronting it with several deep bunkers. He also suggested moving the green twenty yards back and to the right. Jones and Roberts both approved. The design work was done by Perry
Maxwell, an Oklahoma banker-turned-architect, whose best-known course is probably Tulsa’s Southern Hills. Maxwell had been a partner of MacKenzie’s during the final years of MacKenzie’s life. (Their last joint project, completed in 1933, was Crystal Downs, in Frankfort, Michigan.) The transformation of the seventh green, which cost $2,500, was paid for by Lewis B. Maytag, who was one of the club’s earliest members and was the head of the Maytag Company. In addition, the driving area was tightened through the addition of a grove of pine trees on the left side of the fairway. (There were already trees on the right.)

Maxwell made several less dramatic changes in other greens—among them the first and the fourteenth, to which he added pronounced undulations. Such undulations were his trademark and were known as “Maxwell rolls.” MacKenzie was no longer alive at that time, but he undoubtedly would have approved: he loved dramatic contours. In The Spirit of St. Andrews, he wrote wistfully about the early greens at Machrihanish, a legendary links course, designed by Old Tom Morris, on the Kintyre peninsula in western Scotland: “Some of the natural greens were so undulating that at times one had to putt twenty or thirty yards round to lay dead at a hole only five yards away. These greens have all gone and today one loses all the joy of outwitting an opponent by making spectacular putts of this description.” For the disappearance of such features, MacKenzie blamed a preoccupation with the elimination of “unfairness”—a word that he scornfully placed in quotation marks.

Today, the seventh is 450 yards long—110 yards longer than it was for the first Masters—and the landing area is narrow. Just fifteen years ago, the seventh was considered a birdie hole, even by members. Now it’s a tough par for any player whose tee shot ends up in the pine straw.

Masters Countdown: Sixth Hole

Sixth hole, Augusta National, 1935.

Augusta National is viewed as sacred ground by many golfers, who sometimes assume that the holes have remained inviolate for decades, if not since the beginning of time. But the course has never been a museum. In fact, it has almost certainly undergone more significant changes, beginning in the 1930s, than any other important golf course in the world. Revenues from the Masters, along with substantial contributions from members, have financed numerous alterations, some of them monumental. Almost every summer, greens are regraded or rebuilt, tees are moved, hazards are added or eliminated, new trees are planted in strategic positions, and mounds are reshaped, raised, flattened, moved, created, or carted away. Since the very earliest years of the club, the only thing sacred about the course has been a belief that it must continually be modified and improved.

Changes to the course have had numerous designers. The club has been receptive to—and has steadily solicited—suggestions from players, members, guests, spectators, sportswriters, television viewers, television commentators, distinguished architects, and others. Even as early as the early fifties, Bobby Jones could say with accuracy that the course was “truly of national design.” He viewed that miscellaneous heritage as one of the course’s greatest strengths, and his assessment became still more apt in subsequent years, as increases in tournament revenues expanded the scope of what the club could afford to try.

The same tributary of Rae’s Creek that runs in front of the thirteenth green and along the left side of the thirteenth fairway used to run also between the sixth tee and sixth green. The stream ran so far short of the green, though, that it virtually never came into play. The club dammed the stream to create a more formidable hazard. But the new pond was still thirty yards from the front of the putting surface, making the water a nearly irrelevant hazard even for high-handicap players. (It couldn’t even be seen from the tournament tees.) In 1959, the pond was removed and the stream was buried. You can see part of the old pond in the photo below.

Masters Countdown: Fifth Hole

Augusta National's fifth green in 1935.

The fifth hole is the centerpiece of what has sometimes been called Augusta National’s other Amen Corner. It’s ranked by more than a few players as the second best par-four on the course (after the tenth), and television cameras don’t do justice to its dramatic topography. Alister MacKenzie, who designed the course, felt that the fifth was descended in spirit from the Road Hole—the much feared seventeenth hole on the Old Course at St. Andrews. The main similarity may be in the difficulty of the approach shot, since balls that land short invariably stay short, while balls that are hit long occasionally disappear for good in the trees and shrubbery beyond the green. The perils of the green make Jack Nicklaus’s achievement during the 1996 Masters seem all the more astonishing: he eagled the fifth twice, in consecutive rounds.

The pair of large, steep bunkers on the left side of the fairway are a characteristic MacKenzie hazard. (Equally characteristically, Bobby Jones initially felt that the bunkers were superfluous, and they were not added until after the course had opened.) As originally positioned, they were more of a visual hazard than an actual one, since even in the early years players didn’t have much trouble driving over them or playing safely to the right. (The bunkers often aided less skilled players, by stopping pulled or hooked drives that might otherwise have run down the steep hill and out of play—as Wendell Miller, the contractor, predicted they would, in May, 1933, while making an unsuccessful attempt to interest Jones in adding the bunkers then.) MacKenzie, throughout his career as an architect, made frequent use of course features that were essentially optical illusions: seemingly narrow fairways that were ampler than they appeared from the tee; seemingly ample fairways on which the ideal landing areas were narrow and precise; large greens that seemed to provide huge targets but were contoured so that reasonably simple putts could be earned only with brilliant approaches—and bunkers that looked threatening from a distance but were easy to carry. He felt that easily avoided fairway bunkers were good for a player’s self-confidence and sense of achievement.

By 2002, the bunkers had long since ceased to serve even as visual hazards for the vast majority of Masters competitors. Under the direction of Tom Fazio, the tournament tees were moved back, the fairway was reconfigured, and the bunkers were reshaped, deepened, and moved closer to the green. The carry over the farther bunker from the Masters tees is now more than 315 yards, uphill, and both bunkers are so deep that reaching the green from either one is impossible, or nearly so. Each bunker has an almost vertical forward face, on which a thin layer of sand is held in place by a fabric liner, which also prevents balls from becoming embedded.

The fifth fairway caused problems for many years. Buried stones continually worked their way to the surface, where they were a threat to golf swings and mower blades. Finally, in 1962, the club resurfaced the fairway (and also the seventh) with new topsoil. When the job was complete, Clifford Roberts, the club’s co-founder and chairman, devised a characteristically simple method of testing the results: he asked Phil Wahl, the club’s manager, to drive a golf cart up and down the fairway at full speed and report back on the smoothness of the ride.

Lawn Care Tips from Augusta National

From "The Making of the Masters"

Golf fans assume that the Oz-like green of Augusta National during Masters week is achieved by drenching the course with chemicals—or maybe with ground-up hundred-dollar bills—but, as the tournament approaches, the grounds crew at Augusta National actually uses less water and fewer pesticides than many homeowners routinely do, and they don’t fertilize at all. One reason has to do with the season: early April is the sweet spot for growing grass in Augusta, Georgia.  Days and nights are cool, humidity is low, and soil temperature is perfect for producing green, healthy fairways with a minimum of chemical intervention.  Winter weeds have departed or been squeezed out by the club’s annual over-seeding with rye, and summer weeds haven’t taken hold. Of course, it helps to have a tournament-time grounds crew of forty full-time employees and sixty volunteers, but the calendar is crucial. “In April, a yard on Berckmans Road could be as lush as any fairway here,” Brad Owen, the course superintendent (and no relation), told me in 2004. “Other times of the year, we all struggle.” Following are tips for average homeowners based on what Owen has learned while looking after the golf world’s most famous lawn:

  • It’s best to let your yard dry out before watering. Over-watering encourages disease and weeds.
  • You’ll save water and improve your results if you hand-water trouble spots rather than always soaking the entire lawn. Watch the weather forecast and turn off your sprinkler system when rain is on the way.
  • Don’t shorten grass by more than 30 percent in one mowing. Removing too much of the leaf at once causes stress and promotes disease.
  • Sharpen the blades of your mower. Augusta National sharpens all blades daily, because sharp blades cut grass rather than tearing it, and that’s better for the grass. Most homeowners never sharpen their mower blades.
  • Have your soil tested, and ask your local extension service for advice specific to your soil type and your region.
  •  If you can take the time, inspect your yard daily and treat problems as they arise rather than trying to make your yard immune to every potential ill. Your grass will be healthier, and you will won’t use as many chemicals.  The philosophy at Augusta National, Owen told me, is curative rather than preventative: “We don’t fix a problem until it appears.”

The Augusta National property was a nursery before it became a golf course.

Masters Countdown: Third Hole

Augusta National's third green, 1935.

Augusta National’s third hole has probably undergone fewer changes than any other hole on the course. Its principal feature today, as was true in the beginning, is a treacherously shaped green, which sits on a tilted natural plateau. Dropping off from the shallow left end of the green is a deep bunker from which pars can be difficult to save. The green is hard to hit and harder to hold, and approaches to it are complicated by the fact that the putting surface is invisible from the fairway.

In 1933, Clifford Roberts, the club’s co-founder and chairman, wrote a letter to Alister MacKenzie, who had designed the course, in which he suggested adding a deep cross bunker in the face of the plateau directly in front of the green. “It was my understanding,” Roberts wrote, “that the deep-face trap located in about the center would make this a definite drive and pitch hole; that is to say, a well struck pitch would be required in order to hold the green and the trap would make it impossible to play a run-up shot.” MacKenzie was vehement in vetoing that idea—which Roberts had admitted Jones didn’t support—and his response contains so much of his thinking about design that it is worth quoting at length:

I am delighted that Bob agrees that the [third] with the one trap is all right. This confirms my impression that Bob knows more about golf and its sound principles than any man I have ever come across.

My own opinion is that a cross bunker would convert it into an ordinary stereotyped hole and would nullify all the subtleties of the undulations of the approach to which we gave so much time and thought.

Consider the many problems which face a golfer approaching the hole. In the first place he can play safely to the right and rely on a long putt going dead to get his four. If he elects to go straight at the flag he must play a perfect pitch or else his ball would hit the bank and come back or run over the green. On the other hand if he tries to run up from the right his shot must be played perfectly as a half hearted run up shot will inevitably run into the bunker on the left, which appears to me to be absolutely perfect both in regard to its position and its construction.

At this hole the super golfer, like Bob, has a most fascinating problem, as to have a reasonable chance of three he will have to attack the hole from the left, where all the slopes help him towards the hole. It is here that the tee-shot bunker comes in as he must make up his mind to play round it with a pulled shot from right to left or a fade from left to right, or, when a strong wind is in his favour, to play over it.

If the approach to this hole is maintained as hard and as true as the green it will make the most perfect hole of its length in the world of golf and any additional bunker would ruin it.

It is holes of this description that keep up one’s interest in golf year after year, stimulate players to improve their game and prevent golf becoming stale.

Jones didn’t think as highly of the third hole as MacKenzie did; his favorite par-fours almost all required long-iron or fairway-wood approaches—shots at which he excelled. But MacKenzie’s conviction has been borne out over the years. Of all the architects who have worked on the course, none has yet made a persuasive case for a major revision. (The single original fairway bunker became a cluster of four fairway bunkers in 1983, but the impact on tee shots didn’t change.) The third hole remains the shortest par-four on the course, yet it was one of the few holes that consistently gave Tiger Woods trouble during his record victory in 1997. (On Friday, he hit a bullet-like drive to within fifteen yards of the green, yet made a bogey.) In fact, the experience of Woods and other long-hitting players suggests that one effective way to “Tiger-proof” a golf hole may be to shorten it.

 

Masters Countdown: Second Hole

Augusta National's second green in 1935, when it had just one bunker.

During Augusta National’s early years, in the 1930s, the second hole had a vast, ragged bunker in the fairway, not far from the tee. A more subdued version of that bunker survived into the mid-sixties, when Clifford Roberts, the club’s chairman and co-founder, replaced it with a smaller bunker farther down the fairway and to the right. “The players all complained when Roberts put it in,” Gene Sarazen, who suggested the change, told me in the late 1990s. “But it didn’t mean a thing when you complained to Roberts. He had his own mind made up.” Among the players who complained was Ben Hogan, whose fade made the sand a genuine annoyance. Sam Snead told me, “Hogan said the bunker should have been placed on the other side, so you couldn’t cut the corner.” But the left side of the fairway was already well guarded, as it is today, by a grove of pines and a deep ravine with a creek at the bottom of it—one of the few spots on the course where a player can hit a truly unrecoverable drive. Gardner Dickinson once suggested that the tournament’s airline office—a Roberts innovation, which enables players and tournament spectators to make last-minute changes in their travel plans without leaving the property—should be moved into the ravine, on the theory that any player unfortunate enough to hit his tee shot down there might as well book a flight and go home. In recent years, the carry from the tournament tee to the fairway bunker has been stretched to more than 300 yards, but some players are able to hit their drives right past it. And hardly anybody employs Hogan’s second-hole strategy: intentionally hitting his second shot into a greenside bunker and trying to get up and down for birdie from there.

The second green in 1948: two greenside bunkers with a broad gap between them.

Masters Countdown: First Hole

Augusta National's first green in the early 1930s, when it was still the tenth. The bunker was later removed and a different bunker was added, closer to the green. The putting-surface contours haven't changed much, however.

In Augusta National’s early years, a small creek ran across the first fairway, at the bottom of the hill, less than a hundred yards from the tee. The carry over the ditch was so short that few players even noticed the hazard, but a member named Clarence J. Schoo—who ran a boxboard manufacturing company in Springfield, Massachusetts, and was a close friend of the club’s chairman and co-founder, Clifford Roberts—drove into it so often that it came to be known as Schooie’s Gulch. After topping yet another drive into the creek one day, Schoo said to Roberts, “I wish you’d fill in that damn ditch.” Roberts did fill in the ditch, during the summer of 1951—and sent the bill to Schoo.

That, at any rate, is how the story is usually told. The real reason for eliminating the ditch was that the club wanted to replace its old press tent with a Quonset hut, on a site to the right of the first fairway, and the ditch was in the way of the planned foundation. The ditch also constituted a maintenance headache that Roberts wanted to eliminate. Schoo, who later became a vice president of the club, did gladly pay for part of the alteration, but he almost certainly wasn’t surprised when he opened his bill.

Schoo was such a poor golfer that when he one day made a natural birdie Roberts decreed that he should be paid the same cash pot that was ordinarily given to golfers who made holes-in-one, on the theory that Schooie was never going to come any closer. Another time, while playing the seventh hole in a foursome that also included Roberts and former President Dwight Eisenhower, Schoo hit a dreadful drive that traveled just a few yards, into a clump of pampas grass to the left of the tee. Schoo said, “Well, in all the years I’ve been playing here, that’s the first time I’ve done that.” That summer, the grounds crew cut back the pampas grass and found several balls with his name imprinted on them. On another occasion, Schoo declared with exasperation that he must be the worst golfer in the club. His caddie, who had been around long enough to hear stories but not long enough to recognize individual members, said, “No, sir. The worst golfer in this club is Mr. Schoo.”